Our upcoming performance Ayre: An Evening of Osvaldo Golijov is actually an immersive experience. Upon your arrival to the Ismaili Centre, Toronto, you’ll be taken to various parts of the hall to experience “Part I” of our evening. This includes Jamelie Hassan’s exhibition Light Upon Light, and special concert of three of the composer’s short works performed by the Glenn Gould Ensemble and sopranos Adanya Dunn and Ellen McAteer. Surrounded by Islamic art and architecture, from centuries-old tapestries to contemporary mosaics and intricately carved ivory walls, you’ll be transfixed and transported by the evening.
“A broken song played on a shattered cimbalom.” Thus, writes Kafka, begins Yiddishbbuk, a collection of apocryphal psalms. Golijov attempts to reconstruct that disappeared music, creating a three-movement work “in the mode of the Babylonic Lamentations.”
Lúa Descolorida (2002)
Based on a poem by 19th-century romanticist María Rosalía de Castro and written in Gallego (the language of Spain’s Galician region), this haunting nocturne is sung by a lover to the moon.
Golijov imagined this music “as the slow, quiet reading of an illuminated medieval manuscript.” Melismatic elongations of syllables from the Hebrew alphabet signal the beginning of new chapters, leading to the ending section built around a single, repeated word: “Jerusalem.”