Category Archives: Joel Ivany

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Against the Grain 19/20 Season Press Release

By | Ayre, Bound, Joel Ivany, Kyrie Kristmanson, Media Release, Opera Pub, Uncategorized | No Comments

Against the Grain celebrates 10 seasons of edgy, visionary opera.

Against the Grain Theatre (AtG) presents its most ambitious season to date.  The season begins with a national tour of La Bohème, a revival of the award-winning production of Figaro’s Wedding, a return of the JUNO-nominated performance of Osvaldo Golijov’s Ayre for the opening night at the 21C Music Festival in Koerner Hall and the world premiere of BOUND by Canadian composer Kevin Lau and librettist Joel Ivany.

TORONTO – Against the Grain Theatre (AtG) celebrates its 10th anniversary season on the heels of receiving two Dora Mavor Moore awards for their production of Canadian composer Claude Vivier’s only opera Kopernikus. This pivotal tenth season will see a cross-Canada tour of our beloved production of La Bohème, the revival of Figaro’s Wedding, a debut at Koerner Hall’s 21C Music Festival with Osvaldo Golijov’s Ayre and the world premiere of the highly anticipated finale of BOUND.  AtG’s “standing room only” #OperaPubseries continues for another season at the Amsterdam Bicycle Club and presents a free concert at the Canadian Opera Company’s Free Concert Series in the Richard Bradshaw Amphitheatre, featuring soprano Breanna Sinclairé.

La Bohèmethe innovative AtG production that started it all and uprooted opera from the opera house, returns with a multi-province tour in partnership with Banff Centre for Arts and Creativity.  In 2011, AtG made its debut in the Toronto opera scene with an innovative interpretation of Puccini’s classic love story. The Italian libretto was translated into English and updated the 19th-century Parisian Latin-quarter setting to Toronto’s historic Tranzac Club. Our new production keeps the bar setting, but introduces it with a new Canadian cast to towns in central Canada. Meet Les Bobos: tenor Marcel D’entremont (Rodolfo), soprano Jonelle Sills (Mimì), baritone Clarence Frazer (Marcello), baritone Andrew Adridge (Schaunard), bass-baritone Giles Tomkins (Colline) and baritone Greg Finney (Benoît and Alcindoro).  Destinations include Banff, Calgary, and Medicine Hat, Alberta; Regina, Saskatchewan; Brandon and Winnipeg, Manitoba; Kenora, Thunder Bay, Sudbury and Toronto, Ontario.  Performances take place between September 27 – October 25, 2019.  See website for details.

Called “A treat from beginning to end” by the Toronto Star, Figaro’s Weddingthe winner of the Dora Award for Outstanding New Opera in 2014 triumphantly returns in a brand new production. This adaptation of Mozart’s Le Nozze di Figaro sees the Lorenzo Da Ponte libretto modernized, translated into English by AtG Artistic Director Joel Ivany and staged as a Toronto winter wedding with the audience cast as wedding guests. The impressive ensemble includes soprano Alexandra Smither as Susanna, baritone Bruno Roy as Figaro, soprano Miriam Khalil as Rosina (Countess) and baritone Phillip Addisas Alberto (Count). The creative team reunites several past AtG contributors, with stage direction by Ivany, music direction by Rachael Kerr, lighting design by AtG Resident Lighting Designer Jason Hand and costume and set design by Anna Treusch.  The show comes complete with ushers, a string quartet, and all the usual vows, tears, and hilarity.  All performances take place at the historic Enoch Turner Schoolhouse (106 Trinity St, Toronto) on December 3, 4, 5, 9, 10, 11, 13, 14, 15, 18, 19  & 20, 2019.

Last season AtG launched AtG Records, a modern classical music record label and earned a JUNO nomination for their first release Ayre: Live (a live recording from November 2016 of their acclaimed stage production). Composer Osvaldo Golijov writes of soprano Miriam Khalil, “I cannot even begin to express the emotion I feel when she sings Ayre; it is as if she was born to sing it, or, even better, born for each other, she and Ayre.” Miriam Khalil has since performed Ayrewhich has become her signature piecein three countries and six different cities to great acclaim, and will open the 21C Musical Festival at Koerner Hall with this piece. The evening will also include  Golijov’s other works such as Mariel, K’vakarat, and Tenebrae. Musicians include Jamey Haddad, Barry Shiffman, Gabriel Radford, Michael Ward-Bergman, Juan Gabriel Olivares, and cantor Alex Stein. This one night only performance is presented by Koerner Hall at the 21C Music Festival (273 Bloor Street West) January 11, 2020 at 8pm.

BOUND was developed in December 2017 as a reaction to those displaced, dehumanized and mistreated by recent geopolitical conflict. AtG Artistic Director Joel Ivany has written original text and drawn from news articles and international current events as source inspiration in the creation of the story BOUND. AtG commissioned composer Kevin Lau to keep the backbone of Handel’s music while infusing his own contemporary themes, music and ideas. This season will see the final premiere of the three year concept-to-realization project led by stage director Mitchell Cushman and light designer Jason Hand. The cast includes actor Martha Burns, soprano Miriam Khalil, tenor Ernesto Ramirez and the operatic debut of transgender opera singer Breanna Sinclairé. This world premiere will be presented at Harbourfront Centre Theatre (231 Queens Quay West) between April 17-25, 2020.

On March 31, 2020, at 12:00pm, AtG will once again be featured as part of the Free Concert Series in The Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts. A recital will be given by one of our artists from BOUND, Breanna Sinclairé, the only lyric soprano opera singer in the world who is transgender.

Back by popular demand, AtG’s standing room only #OperaPub series returns October 3 at the Amsterdam Bicycle Club (54 The Esplanade). Hosted by AtG Collective member David Eliakis, these free events will continue to feature opera arias and ensembles alongside witty banter and craft beers. Festivities begin at 9pm on the first Thursday of every month, and continue until May 7, 2020.

We also announce the commission of Mrs. Winslow’s Soothing Syrup, written by celebrated composer Michelle DiBucci and award-winning Canadian librettist Royce Vavrek. This opera will be a journey into a young woman’s world torn apart by abuse, neglect, addiction and apathy. It is an unflinching and compassionate look at the opioid crisis and a brutal testament on a plague that is emblematic of this decade.  Mrs. Winslow’s Soothing Syrup will be sung in English and and is set to premiere in 2021.

 

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The history behind an unknown-opera

By | Joel Ivany, Kopernikus | No Comments

Introducing Claude Vivier (Pt.3): a three-part series on the life and works of Claude Vivier by Against the Grain’s Media Attaché, Michael Zarathus-Cook

On April 4th 2019, Against the Grain Theatre’s production of Claude Vivier’s Kopernikus will mark the latest occasion of the incredibly long arc in the production history of one of Canada’s most prolific operas. In the forty years between it’s premiere at the University of Montreal and it’s upcoming AtG premiere in Toronto, Kopernikus has toured the globe from Argentina to Paris and London to Amsterdam; and found its most recent Canadian stage at Banff Centre for Arts and Creativity in the Margaret Greenham Theatre. That Banff production was a workshop by AtG’s Artistic Director, Joel Ivany, and was praised in 2017 by the Calgary Herald as ‘the ideal opera of the future’. Stephan Bonfield, in that same article for the Calgary Herald, projected Kopernikus to be an opera ‘both for our times and perhaps, even possibly, for five hundred years from now’, indeed the simplicity and ambiguous spirituality at the core of this opera makes it an ideal candidate for posterity. Yet, in order for a work to remain available for the inspiration of future Canadian composers, it relies as much on it’s own merit as on the active endorsement of the arts communities and councils of each successive generation. Kopernikus is entering into its second generation of audiences, and it’s time for it (and its composer) to achieve the same renown in English Canada as it has enjoyed in Quebec and elsewhere outside of Canada.

“His music really resembles no other, and he puts himself right on the fringe of all trends. His music, of a direct and disruptive expression, could bewilder only those hard-hearted people who are unfit to categorize this independent man of genius. Claude Vivier found what so many others have sought for, and still seek: the secret of a truly new simplicity” — Musicologist Harry Halbreich, Harmonie-Panorama Musique, April 1983.

Back here in Toronto, rehearsals for the April 4th premiere are underway, with AtG’s Music Director, Topher Mokrzewski, reprising his role as conductor. Matjash Mrozewski who, in the Banff production “created a gestural language to unite the singers, musicians, and dancers” (Ludwig van Toronto), will once again take on the choreography for the ensemble. That ensemble is a cast of two mezzo-sopranos and two sopranos; a bass, baritone and bass-baritone; as well as two dancers who in the last production imparted “an air of ecstatic rapture to the piece” (Opera Going Toronto). Danielle MacMillan will also be returning to her role as Agni—“a fire spirit of ideal protean innocence” (The Calgary Herald)—the centerpiece around which orbits the rest of the cosmic ensemble.

The role of Agni was created by Jocelyne Fleury-Coutu, one-third of the creative triumvirate that helped bring Claude Vivier’s vision to life at the University of Montreal almost. The other two were: Marthe Forget, who staged the premier (and died 12 years ago); and Lorraine Vaillancourt as conductor and musical director. In the subsequent years after Vivier’s death in 1983, Vaillancourt was instrumental in the various productions of Kopernikus, beginning in Montreal and thereon to Paris. Her interview for AtG’s upcoming production was a revelation of Vivier’s character and a recollection of the unique character of his only opera: “…there’s not really a narrative, it is a ritual in an invented language, wherein the main characters, apart from Agni, are the passage, and eventually become the music (yes, the music!)”.

A short history of the international productions of Kopernikus

May 8-9 1980: (world premiere) Monument national by the Atelier de musique
contemporaine and the Atelier de jeu scénique of the University of Montreal
July 5-6 1985: (UK premiere) Almeida Theatre by Contemporary Chamber
Orchestra. London, United Kingdom
1986-1989: Les Événements du neuf, Montreal
1989: Les Événements du neuf, Paris
Sept-Oct 1990: Van East Cultural Centre, Vancouver New Music Society,
Vancouver
April 14 2008: Atelier de musique contemporaine de l’Université de Montréal, Salle Claude-Champagne / Lorraine Vaillancourt, Montreal
June 7-29 2008: Universität der Künste Berlin, Germany
Oct-Nov 2012: Holst-Sinfonietta – Christuskirche, Young Opera Company,
Freiburg, Germany
April 15-19 2014: De Nederlandse Opera – Boekmanzaal, Amsterdam,
Netherlands
May 11-14 2014: Ensemble oktopus für musik der moderne – Reaktorhalle,
München, Germany
June 12 2016: (American Premiere) Roomful of Teeth / Eric Dudley – Libbey Bowl,
Ojai, California, USA
June 6-8 2017: Margaret Greenham Theatre, Against The Grain Theatre, Alberta,
Canada
August 2 2018: (Argentinian premiere) Americas Society / Sebastian Zubieta
Festival Nueva Opera de Buenos Aires, Argentina
December 4-19 2018: Ensemble l’instant donne, Roomful of Teeth, Theatre de la
ville, l’Espace Cardin, Paris, France
Jan-Feb 2019: Mitglieder des Internationalen Opernstudios der Staatsoper
Unter den Linden, Alter Orchesterprobensaal, Berlin, Germany

Against the Grain Theatre’s Kopernikus premieres at Theatre Passe Muraille Mainstage on April 4th, and runs till April 13th.

Audience member uses smart phone to take photo of two singers embracing on stage.

AtG launches opera streaming research project with national partners

By | Digital, Joel Ivany, Video | No Comments

Against the Grain Theatre, Toronto’s visionary chamber opera company, has always asked questions about what it means to be an opera company in the 21st century. Starting today, the company begins a comprehensive digital research project examining online trends and behaviours of opera audiences towards live streamed performances. This research will inform future initiatives.

The project is led by digital consultant Michael Morreale, and is being conducted in partnership with the Canadian Opera Company, Canadian Music Centre, the Banff Centre for Arts and Creativity, with support from the Canada Council Digital Strategy Fund. More partner organisations will be announced in the coming weeks.

The Digital Opera Research and Intelligence Study (“DORIS”) consists of a national audience survey and discussions with international experts in the field of performing arts streaming. A final research paper in English and French will be available for free on Against the Grain’s website this spring, with ongoing blog updates leading up to its release.

“To be able to add someone like Michael to the AtG team, with his vast experience both in the arts and technology is a win not just our company, but for opera in Canada”, says Founder and Artistic Director, Joel Ivany. “We’ll be able to ask, test and hopefully have some answers for questions that have always been at the forefront of our arts practice.”

“The future is digital.” says General Manager Jonathan MacArthur. “This project is pivotal in learning how to engage with our growing generation of online art consumers while also uniting niche opera lovers world-wide.”

“These audience insights are a crucial part of forming a digital strategy for any Canadian arts organisation,” says Michael, who has produced streams and recordings for the Toronto Symphony Orchestra, Royal Conservatory and CBC Music. “I’m thrilled to work with a forward-thinking company like Against the Grain, who are asking these important questions about what modern online audiences want.”

Follow updates on the project here.

For more information, please contact: michael@againstthegraintheatre.com.

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We acknowledge the support of the Canada Council for the Arts.
Nous remercions le Conseil des arts du Canada de son soutien.

 

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AtG Goes North

By | Joel Ivany, Opera Pub, Press, Uncategorized, Upcoming | No Comments

In a dynamic new partnership with the Yukon Arts Centre, AtG reaches further north than ever before in “Life, Love and Drinking Alone: the artist’s guide to smashing your phone”

This November, Against the Grain Theatre’s Founder and Artistic Director Joel Ivany, Music Director Topher Mokrzewski and baritone Andrew Love (who we last loved as Marcello in AtG’s La bohème) travel to Whitehorse and Dawson City, Yukon. “The Yukon Arts Centre is thrilled to announce a new partnership with Against The Grain Theatre to bring its fiery, irreverent approach to opera to Canada’s North.” says Yukon Arts Centre’s CEO Casey Prescott.

This exciting new program will feature a staged Kurt Weill song recital titled “Life, Love and Drinking Alone: the artist’s guide to smashing your phone”.

Join Sam as he both celebrates and grieves at the end of a relationship. From bar to bar, drink to drink, lounge to floor to gutter, he works through what went wrong, facebook stalks, falls down the infamous instagram rabbit hole, reminisces, and dismisses… all while maintaining his greatest relationship of all… with his true love… his smartphone.
This cabaret features music from Opera to Musical Theatre, Pop to Country, (to maybe even rap), with a special emphasis given to the brilliant music of Kurt Weill. Lead from the piano by Topher Mokrzewski (bartender), this cabaret has been conceived, staged and will be performed by baritone Andrew Love (Sam).

Produced by Against the Grain Theatre and the Yukon Arts Centre.

The tour will also include community workshops, talks and roundtables.

Events Listing
7:00 PM Thursday, November 29
At the Old Fire Hall, Whitehorse, Yukon
8:00 PM Friday, November 30
At KIAC Ballroom, Dawson City, Yukon

About the Yukon Arts Centre
The Yukon Arts Centre (YAC) is a not for profit charitable organization dedicated to the development of the arts as an important cultural, social and economic force in the Yukon. We intend to be a model for the development of the arts in the North and a stimulus for a vibrant and creative territory. YAC is the territory’s premier venue for performing and visual arts.

About the Klondike Institute of Art and Culture
The Klondike Institute of Art and Culture is of one of the many volunteer driven not-for-profit initiatives that are vital to the social, cultural and economic health of Dawson City. The Klondike Visitors Association plans activities and events that attract thousands of visitors to Dawson City each year. The Dawson City Music Festival is legendary for its ability to present Canada’s finest musical talent to the community both at the July festival, and at concerts during the year. Other organizations such as the Dänojà Zho Cultural Centre, Dawson Museum Society, and CFYT Radio add to Dawson’s rich cultural milieu, which is somewhat unexpected in a small northern town that’s only a few hours drive from the Arctic Circle.

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What does opera in the age of Trumpism look like? #AtGBOUND

By | Bound, Joel Ivany, Press, Upcoming | No Comments

FOR IMMEDIATE RELEASE: 18 October, 2018

Kevin Lau’s newly commissioned opera BOUND v. 2 in concert performance with Toronto’s acclaimed indie opera company Against the Grain Theatre

TORONTO – Against the Grain Theatre (AtG) has matched one of opera’s most dramatic composers, George Frideric Handel, to a narrative inspired by the current, chilling refugee stories populating our newsfeeds — stories of migration and displacement due to war, discrimination, hate, and intolerance. AtG’s Artistic Director and librettist Joel Ivany alongside composer Kevin Lau begin the indie-company’s ninth season by digging deeper into the music and text of BOUND. This November, AtG presents their first commissioned opera written by Toronto composer Kevin Lau in a concert presentation called BOUND v. 2. November’s concert (part-two of a three-year concept-to-realization project) focuses on where Lau’s new composition intersects with the melodies of Handel’s music. A mash-up of centuries, styles, and stories.
 
“Bringing Handel’s music into the 21st century is a way for us to directly grapple with the big issues of tradition versus change that face our society today,” said Lau. The development of BOUND began as a mash up of Handel arias and ensembles used to highlight the current state of those dehumanized and mistreated across the globe. “Our opera does delve into darker themes—among them, the ethical consequences of trading individual freedoms for national security, an issue which grows more relevant every day—but ultimately our hope is to sow musical seeds of empathy, by finding truth among differences.” 
 
AtG Founder and Artistic Director Joel Ivany has created a new English libretto, minting another AtG transladaptation to express the plight of the characters—who are based on real people—in BOUND v. 2. The opera centres around four citizens who are detained by an omnipotent and oppressive government; the State.  We watch and hear about their struggles, hopes and fears.
 
The development of this opera began in 2017: a week of inspired round-table discussions with Ivany, Lau, creative team and artists where they invited guest speakers that included survivors, storytellers, and members of communities that are too often overlooked to share their stories. “We asked them very personal and important questions,” said Miriam Khalil who portrays Noor Haddad, a journalist detained for refusing to remove her hijab at a border crossing. In her role, for example, Khalil balances between baroque flourishes and maqamat embellishments, “with Kevin, we explored how these unique experiences would colour our music and shape our characters.” With teeming collaboration, the singers eventually chose the news stories that best suited them and from those stories Ivany formed the base of the new libretto, which was then to be meshed with Handel’s music while Lau worked on his score and developed a new musical language for each character.
 
Kevin Lau’s BOUND v. 2 is written for chamber orchestra, four singers, actor and digital sound artist. The ensemble will be led by AtG music director Topher Mokrzewksi and features AtG Founding Member and soprano Miriam Khalil, countertenor David Trudgen, tenor Andrew Haji and baritone Justin Welsh as the cast of detainees, Martha Burns as the voice of the state, and the electronic stylings of Acote.
 
This workshop concert will be presented in Longboat Hall at The Great Hall (1087 Queen Street West, Toronto, Ontario, M6J 1H3) on November 19, 20 and 21, 2018. Sung in English. All performances begin at 8pm with doors open at 7:30pm. Tickets ranging from $35 – $80 are now on sale at www.againstthegraintheatre.com

LISTING INFORMATION
Bound v. 2
Against the Grain Theatre  
November 19, 20, and 21
8 p.m.
The Great Hall — Longboat Hall, 1087 Queen Street West, Toronto, Ontario, M6J 1H3
Tickets: $35 – $80
More info: www.againstthegraintheatre.com/bound/

ABOUT AtG
Toronto’s Against the Grain Theatre (AtG) has invigorated opera audiences since its first sold-out production to an audience of fifty guests in December of 2010. AtG revitalizes the operatic art form by presenting an eclectic array of musical works in unconventional spaces and innovative ways. Since its first season, AtG has consistently performed to standing room-only crowds, to both critical and public acclaim, and continues to introduce hundreds of new opera-goers to the art form. Founded by an adventurous collective of friends and artists, the company endeavours to be serious in intent and execution, yet fun and irreverent in spirit. Current members include Joel IvanyTopher MokrzewskiJonathan MacArthurAmanda HadiDavid EliakisJason HandMiriam Khalil, and Michaela Dickey.

For more information, please visit AtG online at www.againstthegraintheatre.com, on Twitter, Snapchat and Instagram @AtGTheatre and on Facebook at www.facebook.com/AtGTheatre

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Media Contact

Jonathan MacArthur
General Manager
Against the Grain Theatre
416-220-5376
gm@againstthegraintheatre.com

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Toi x 3 to Orphée⁺ in Banff!

By | Banff, Dora Awards, Joel Ivany, Orphee | No Comments

With the thrill of the 12 Dora Nominations, and the 5 wins (including Outstanding Production) still fresh in our minds, we’re sending out a huge TOI x 3 to the entire cast, creative team, crew, administrators, and volunteers at Banff Centre for Arts and Creativity on OPENING NIGHT of the production that was the highlight of Toronto’s opera season, Orphée⁺.

But enough with the sentimental formalities! Let’s get the real-time, late-night, post-prosecco Facebook reactions from the administrators and creatives behind this Toronto project…

Screen Shot 2018-07-12 at 1.35.08 PMJoel actually flew in the night of the awards ceremony, arriving to our nervous pre-cocktail event in a Spiderman tee-shirt fresh off the flight from Calgary. He brought a button up *just-in-case*.
Screen Shot 2018-07-12 at 1.34.35 PMWe’re not kidding about the late night Skype/Slack sessions… o_O
Screen Shot 2018-07-12 at 1.35.24 PMCommunity! Exactly the people you are surrounded by, who celebrate and cheer with you at every success and failure.

[First photo in post was taken at the Dora Award Ceremony – From Left-Right: Jonathan MacArthur, General Manager (AtG), Amanda Hadi, Editorial & Digital Manaer (AtG), Joel Ivany, Founder and Artistic Director (AtG), Peggy Kriha-Dye, General and Artistic Director (Opera Columbus)]

 

Music Director Topher Mokrzewski in rehearsal with Miriam Khalil for AtG's BOUND, photo Darryl Block

Just announced: Against the Grain Summer Intensive

By | Canadian Opera Company, Joel Ivany, Media Release, Summer Intensive, Upcoming | No Comments

“A professional and educational summer training program for today’s musician.”

This exclusive professional summer training program (running over August 13–19, 2018 in downtown Toronto, Canada) is tailor-made to individual singers’ needs.

This program lets you bring your best, your worst, your tired, your polished, (and the ones you won’t do for many many years, but want to look at it) into a space to work on the development of your craft. This intensive is meant for you to prioritize your individual artistic needs, in the middle of August when audition season is just around the corner. Bring us your Mozart. Bring us your weird. Bring us that random piece you really want on your audition package but it’s “just not coached enough”. Or, work on your upcoming roles for the 18-19 Season. We’re here to make this program uniquely yours, and we want to make sure you get what you need to set you up for success.

Guided by some of the core members from the Against the Grain Theatre Creative Team (Joel Ivany, Topher Mokrzewski and Miriam Khalil), applicants will be offered individual coaching, voice lessons, scene study, masterclasses, professional organization skills and a new headshot (optional).

Deadline to apply: Friday, May 25, 2018 at midnight EST. (Candidates will hear back from AtG by June 1.)

Cost: $500, with 50% deposit due June 15. (Remainder due July 15.) Payment can be made by e-transfer to info@againstthegraintheatre.com or in cash.

Location: 227 Front Street East, Toronto, ON, Canada, M5A 1E8

Questions? Contact info@againstthegraintheatre.com with “[Your Full Name] + Against the Grain Summer Intensive” in the subjectline and a real human will reply ASAP.

How to Apply: See below.

Photo: Darryl Block

Complete our Online Submissions form by Friday, May 25, 2018 at midnight EST.

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A mash-up of Handel’s music with a new transladaptation

By | Behind the scenes, Bound, Joel Ivany, Media Release, Press | No Comments

FOR IMMEDIATE RELEASE: 31 October, 2017

BOUND uses baroque music to highlight stories of citizen displacement, fear, hope and reconciliation

TORONTO — This December, Against the Grain Theatre’s Artistic Director Joel Ivany matches one of opera’s most dramatic composers to a narrative inspired by the current, chilling refugee stories populating our newsfeeds: stories of migration and displacement due to war, discrimination, hate, and intolerance. The result is a newly created AtG “transladaptation” for the 21st century, BOUND, which will break down Handel arias and ensembles in form and text, and reconstruct them to highlight the current state of those displaced, dehumanized and mistreated across the globe.

“Handel was one of opera’s most dramatic composers,” says director Joel Ivany of the source inspiration for BOUND. “His music constantly explored stories of abandonment, neglect and betrayal. We aim to look at contemporary world events through his musical lens.”

To bring Handel’s music into the present, Ivany and AtG Founding Member and Music Director Topher Mokrzewski collaborate with recent Victor Martyn Lynch-Staunton Award winner, composer Kevin Lau, who will introduce new sound ideas and compositional devices. BOUND will be developed at the Canadian Opera Company’s Jackman Studio over multiple weeks of workshop sessions with finished presentations, featuring the piano accompaniment of Mokrzewski, that will showcase the intensive weeks of development. This is the first iteration of a three-year concept-to-realization production: each year, the workshop will focus on different aspects of operatic creation, from sets and costume design, to orchestral transcription. Over the next few seasons, BOUND will continue to develop, grow and return in new forms.

“We’re looking at how we as artists can express ourselves in a political capacity using our strengths, and our voice,” Ivany continued. “At a time where the world seems to be spinning away from hope and unity, BOUND will look to moments of beauty, acceptance and diversity. These are themes that are important now more than ever to iterate, proclaim and stand by.”

The premise: Seven citizens are detained by a government and held against their will in a waiting room; the audience will watch and hear about their struggles, hopes and fears. Drawing from the experiences of artists, and individuals the world over, BOUND will be a Handel mash-up for the ages.

The cast of BOUND features a roster of Canadian talent, including COC Ensemble member and soprano Danika Lorèn, recent DORA Award-winner and tenor Asitha Tennekoon, counter-tenor David Trudgen, baritoneJustin Welsh, bass Michael Uloth, mezzo-soprano Victoria Marshall and AtG Founding Member and soprano Miriam Khalil. This workshop will be lit by Resident Lighting Designer Jason Hand and presented in the COC’s Jackman Studio (227 Front Street East, Toronto) at 8 p.m. on December 14, 15, and at 6 p.m. and 9 p.m. on December 16, 2017. With one night sold out, limited tickets ($35) are still available for the remaining three presentations: againstthegraintheatre.ticketleap.com/bound/

A special preview of BOUND will be offered on December 13, 2017 at 12 p.m. as part of the Free Concert Series in the Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts. Details about the series may be found at coc.ca.

LISTING INFORMATION
Against the Grain Theatre’s BOUND
December 14, 15 at 8 p.m.
December 16 at 6 p.m. and 9 p.m.
Doors open 30 minutes before curtain
COC’s Jackman Studio (227 Front Street East, Toronto)
Tickets: $35
More info: againstthegraintheatre.com/bound

ABOUT AtG
Toronto’s Against the Grain Theatre (AtG) has invigorated opera audiences since its first sold-out production to an audience of fifty guests in December of 2010. AtG revitalizes the operatic art form by presenting an eclectic array of musical works in unconventional spaces and innovative ways. Since its first season, AtG has consistently performed to standing room-only crowds, to both critical and public acclaim, and continues to introduce hundreds of new opera-goers to the art form. Founded by an adventurous collective of friends and artists, the company endeavours to be serious in intent and execution, yet fun and irreverent in spirit. Current members include Joel IvanyTopher MokrzewskiJonathan MacArthurAmanda Hadi,David EliakisJason HandMiriam Khalil, and Michaela Dickey.

For more information, please visit AtG online atwww.againstthegraintheatre.com, on Twitter, Snapchat and Instagram@AtGTheatre and on Facebook at www.facebook.com/AtGTheatre

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Media contact:
Jonathan MacArthur
General Manager
Against the Grain Theatre
416-220-5376
media@againstthegraintheatre.com or gm@againstthegraintheatre.com

 

Design: Eitan Zohar | Illustration: Dmitry Bondarenko

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We need you to join our global virtual chorus!

By | Joel Ivany, Orphee, Uncategorized, Upcoming, Video, Volunteer | No Comments

Against the Grain Theatre, Opera Columbus in Columbus, Ohio, and Banff Centre for Arts and Creativity in Banff, Alberta are co-producing a brand new production of Gluck/Berlioz’s groundbreaking opera Orphée et Eurydice. At the time it was written, Orphée et Eurydice changed the way opera was produced and experienced; we hope to do the same with this daring interpretation. This production features a new electronic orchestration, baroque burlesque dancers, sopranos singing from silks and (hopefully) you, part of our Global Virtual Chorus.

This is where you come in.

We need you to record your voice to three excerpts from the opera. Submitted videos will be stitched together with hundreds of other videos and projected onto our set, and your voice will be mixed to sync with our LIVE Opera orchestra (cool, right?)!

NEXT STEPS:

  1. Watch the videos and practice (for sheet music, click here)
  2. Record your video(s)
  3. Submit them via Dropbox or WeTransfer to virtualchorus@operacolumbus.org
  4. Be amazed!

Watch the introduction video here and click-through to YouTube and become a part of the Global Virtual Chorus!

Q: When is the deadline for submissions?
A: January 15, 2018

Q: Where do I submit my video(s)?
A: You can submit them here.

Q: Can I submit a video for just one chorus section?
A: Yes!

Q: Will I get credit for my piece?
A: Yes! The programs of each performance will have the names listed inside

Q: Do I have to sing in French?
A: Yes – the entire production will be performed in French. If French isn’t a language you speak, you can learn the pronunciation from the Diction videos.

*Thank you for donating your time and submitting your virtual-chorus videos! By submitting these materials, you have read the following and agree to: allow the designers and creative team the use your image, voice, and likeness in all productions of Orphée et Eurydice. You acknowledge that your voluntary submission may be used entirely at and in the discretion of the producing companies. As a voluntary submission, you will not seek any compensation from the producers. Your submission is greatly valued, however, we may not use all submissions in the final project. Any persons with an Equity affiliation must have notified the producers before submission.

 

 

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Against the Grain Theatre #GoForBaroque in 2017/2018 season

By | Bound, Canadian Opera Company, Joel Ivany, Kyrie Kristmanson, Media Release, Opera Pub, Orphee, Upcoming | No Comments

FOR IMMEDIATE RELEASE: 26 September, 2017

A Handel mash-up and an international co-production comprise AtG’s most expansive season to date

TORONTO – Against the Grain Theatre (AtG) returns in its eighth season with BOUND, a pastiche workshop of new interpretations of Handel’s music, and a groundbreaking new production of Berlioz’s arrangement of Gluck’s Orphée. AtG’s acclaimed #OperaPub nights return as a monthly fixture at the Amsterdam Bicycle Club, and the company collaborates with Canadian baroque-pop artist Kyrie Kristmanson at the Alliance Française in Toronto. In addition, AtG enters its second season as company-in-residence at the Canadian Opera Company (COC).

This December, Artistic Director Joel Ivany and Music Director Topher Mokrzewski collaborate with composer Kevin Lau, the recent Victor Martyn Lynch-Staunton Award winner, to bring Handel’s music into the present through a workshop titled BOUND. In the wake of the world’s refugee crisis, this workshop will explore the current state of those displaced, dehumanized and mistreated, with texts and stories drawn from real-life news articles and events. BOUND is the first workshop of a three-year concept-to-realization production. “Handel is one of opera’s most dramatic composers,” says director Joel Ivany of the source inspiration for BOUND. “His music constantly explored stories of abandonment, neglect and betrayal. We aim to look at contemporary world events through his musical lens.” Featuring a cast of young Canadian talent, BOUND will feature soprano Danika Lorèn, tenor Asitha Tennekoon, counter-tenor David Trudgen, baritone Justin Welsh, bass Michael Uloth, mezzo-soprano Victoria Marshall and AtG Founding Member and soprano Miriam Khalil. This workshop will be lit by AtG Resident Lighting Designer Jason Hand and presented in the COC’s Jackman Studio (227 Front Street East, Toronto) on December 14, 15, and 16, 2017. Tickets go on sale Thursday, October 5 at 12 p.m. at againstthegraintheatre.com.

A special preview of BOUND will be offered on December 13, 2017 at 12 p.m. as part of the Free Concert Series in the Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts. Details about the series may be found at www.coc.ca.

In Spring 2018, AtG partners with Opera Columbus to introduce a new, fully realized version of Berlioz/Gluck’s Orphée⁺. A brainchild of AtG Founder and Artistic Director Joel Ivany, Orphée⁺ casts dancers from New York City’s Company XIV, an opulent and intimate baroque burlesque dance company, with choreography by Austin McCormick, Director and Choreographer of Company XIV, and multi-faceted aerialist, pole dancer and soprano Marcy Richardson in the role of Amour. Sung in French, Orphée⁺ blends Berlioz/Glück’s music with new electro-acoustic soundscapes designed by John Gzowski; incorporates a virtual chorus — made up of hundreds of singers — in a digital projection created by set and projection designer Katy Tucker; costume design by Company XIV‘s Zane Pihlstrom; and features lighting by JAX Messenger. Joel Ivany serves as Stage Director and Topher Mokrzewski conducts an 11-piece orchestra, which blends classical and electronic string instruments. Orphée⁺ opens first in Columbus before coming to Toronto’s Fleck Dance Dance Theatre in April 2018. Full cast details and ticket information will be announced later this season.

Back by popular demand, AtG’s standing-room-only #OperaPub nights return October 5 at the Amsterdam Bicycle Club (54 The Esplanade, Toronto). Hosted by new AtG Collective member David Eliakis, these free events will continue to feature opera arias and ensembles alongside witty banter, craft beers and an ever-faithful Craigslist piano. Beginning at 9 p.m., the festivities will continue the first Thursday of every month until May 2018.

Also new this season, AtG collaborates with Canadian baroque-pop artist Kyrie Kristmanson for the Canadian release of her album Modern Ruin, a repertoire for voice and string quartet inspired by the lost songs of the women troubadours of medieval France. Led by stage director Amanda Smith, an AtG ensemble including percussionist Nathan Pettipas, dancer Mary-Dora Bloch, and baritone Adam Harris perform original arrangements for marimba and voice, inspired by French song. This event takes place on October 13 at 8 p.m. at the Théâtre de l’Alliance Française (24 Spadina Road).

In its second year as company-in-residence at the Canadian Opera Company (COC), AtG continues its work in the COC’s pilot program designed for independent companies looking to gain administrative expertise within their organization. “The training and mentorship opportunities are incredible,” praises AtG General Manager Jonathan MacArthur. “As an emerging administrator, receiving mentorship from the COC’s many different departments is an invaluable, one-of-a-kind experience that fosters individual leadership skills and applicable management practices required to grow a sustainable arts organization.”

ABOUT AtG
Toronto’s Against the Grain Theatre (AtG) has invigorated opera audiences since its first sold-out production to an audience of fifty guests in December of 2010. AtG revitalizes the operatic art form by presenting an eclectic array of musical works in unconventional spaces and innovative ways. Since its first season, AtG has consistently performed to standing room-only crowds, to both critical and public acclaim, and continues to introduce hundreds of new opera-goers to the art form. Founded by an adventurous collective of friends and artists, the company endeavours to be serious in intent and execution, yet fun and irreverent in spirit. Current members include Joel Ivany, Topher Mokrzewski, Jonathan MacArthur, Amanda Hadi, David Eliakis, Jason Hand, Miriam Khalil, and Michaela Dickey.

For more information, please visit AtG online at www.againstthegraintheatre.com, on Twitter, Snapchat and Instagram @AtGTheatre and on Facebook at www.facebook.com/AtGTheatre

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Media contact:
Jonathan MacArthur
General Manager
Against the Grain Theatre
416-220-5376
media@againstthegraintheatre.com or gm@againstthegraintheatre.com