Category Archives: Bound

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What does opera in the age of Trumpism look like? #AtGBOUND

By | Bound, Joel Ivany, Press, Upcoming | No Comments

FOR IMMEDIATE RELEASE: 18 October, 2018

Kevin Lau’s newly commissioned opera BOUND v. 2 in concert performance with Toronto’s acclaimed indie opera company Against the Grain Theatre

TORONTO – Against the Grain Theatre (AtG) has matched one of opera’s most dramatic composers, George Frideric Handel, to a narrative inspired by the current, chilling refugee stories populating our newsfeeds — stories of migration and displacement due to war, discrimination, hate, and intolerance. AtG’s Artistic Director and librettist Joel Ivany alongside composer Kevin Lau begin the indie-company’s ninth season by digging deeper into the music and text of BOUND. This November, AtG presents their first commissioned opera written by Toronto composer Kevin Lau in a concert presentation called BOUND v. 2. November’s concert (part-two of a three-year concept-to-realization project) focuses on where Lau’s new composition intersects with the melodies of Handel’s music. A mash-up of centuries, styles, and stories.
 
“Bringing Handel’s music into the 21st century is a way for us to directly grapple with the big issues of tradition versus change that face our society today,” said Lau. The development of BOUND began as a mash up of Handel arias and ensembles used to highlight the current state of those dehumanized and mistreated across the globe. “Our opera does delve into darker themes—among them, the ethical consequences of trading individual freedoms for national security, an issue which grows more relevant every day—but ultimately our hope is to sow musical seeds of empathy, by finding truth among differences.” 
 
AtG Founder and Artistic Director Joel Ivany has created a new English libretto, minting another AtG transladaptation to express the plight of the characters—who are based on real people—in BOUND v. 2. The opera centres around four citizens who are detained by an omnipotent and oppressive government; the State.  We watch and hear about their struggles, hopes and fears.
 
The development of this opera began in 2017: a week of inspired round-table discussions with Ivany, Lau, creative team and artists where they invited guest speakers that included survivors, storytellers, and members of communities that are too often overlooked to share their stories. “We asked them very personal and important questions,” said Miriam Khalil who portrays Noor Haddad, a journalist detained for refusing to remove her hijab at a border crossing. In her role, for example, Khalil balances between baroque flourishes and maqamat embellishments, “with Kevin, we explored how these unique experiences would colour our music and shape our characters.” With teeming collaboration, the singers eventually chose the news stories that best suited them and from those stories Ivany formed the base of the new libretto, which was then to be meshed with Handel’s music while Lau worked on his score and developed a new musical language for each character.
 
Kevin Lau’s BOUND v. 2 is written for chamber orchestra, four singers, actor and digital sound artist. The ensemble will be led by AtG music director Topher Mokrzewksi and features AtG Founding Member and soprano Miriam Khalil, countertenor David Trudgen, tenor Andrew Haji and baritone Justin Welsh as the cast of detainees, Martha Burns as the voice of the state, and the electronic stylings of Acote.
 
This workshop concert will be presented in Longboat Hall at The Great Hall (1087 Queen Street West, Toronto, Ontario, M6J 1H3) on November 19, 20 and 21, 2018. Sung in English. All performances begin at 8pm with doors open at 7:30pm. Tickets ranging from $35 – $80 are now on sale at www.againstthegraintheatre.com

LISTING INFORMATION
Bound v. 2
Against the Grain Theatre  
November 19, 20, and 21
8 p.m.
The Great Hall — Longboat Hall, 1087 Queen Street West, Toronto, Ontario, M6J 1H3
Tickets: $35 – $80
More info: www.againstthegraintheatre.com/bound/

ABOUT AtG
Toronto’s Against the Grain Theatre (AtG) has invigorated opera audiences since its first sold-out production to an audience of fifty guests in December of 2010. AtG revitalizes the operatic art form by presenting an eclectic array of musical works in unconventional spaces and innovative ways. Since its first season, AtG has consistently performed to standing room-only crowds, to both critical and public acclaim, and continues to introduce hundreds of new opera-goers to the art form. Founded by an adventurous collective of friends and artists, the company endeavours to be serious in intent and execution, yet fun and irreverent in spirit. Current members include Joel IvanyTopher MokrzewskiJonathan MacArthurAmanda HadiDavid EliakisJason HandMiriam Khalil, and Michaela Dickey.

For more information, please visit AtG online at www.againstthegraintheatre.com, on Twitter, Snapchat and Instagram @AtGTheatre and on Facebook at www.facebook.com/AtGTheatre

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Media Contact

Jonathan MacArthur
General Manager
Against the Grain Theatre
416-220-5376
gm@againstthegraintheatre.com

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Against the Grain Theatre goes CanCon for pivotal 9th season

By | Ayre, Bound, Kopernikus, Opera Pub, Press | No Comments

FOR IMMEDIATE RELEASE: 25 September 2018

AtG presents Handel revisited through a contemporary Canadian lens, and Kopernikus by Canadian composer Claude Vivier

TORONTO – Against the Grain Theatre (AtG) enters in its ninth season on the heels of receiving an astonishing 12 Dora Mavor Moore award nominations and taking home five awards, including Outstanding Production for Orphée⁺. Their ninth season will see the second workshop of BOUND, the launch of in-house record label AtG Records, and the presentation of Claude Vivier’s masterpiece Kopernikus. AtG’s “standing room only” #OperaPub series also returns for another season at the Amsterdam Bicycle Club; they present a free concert at the Canadian Opera Company’s Free Concert Series in the Richard Bradshaw Amphitheatre under the title “AtG Retro”; and oh so much more.

BOUND was developed in December 2017 as a reaction to those displaced, dehumanized and mistreated in today’s world. AtG Artistic Director Joel Ivanyhas written original text and drawn from news articles and international current events as source inspiration for the story of BOUND. With the assistance of a commissioning grant from the Ontario Arts Council, AtG commissioned composer Kevin Lau to keep the backbone of Handel’s music while infusing his own contemporary themes, music and ideas. He says, “Expect to hear Handel like you’ve never heard it before. I see this opera as a hybrid—music created by Handel from the perspective of Lau (or will it be the other way around?).” The second instalment of this three-year concept-to-realization plan introduces a chamber orchestra led by AtG Music Director Topher Mokrzewski, and introduces digital sound artist Acote who adds his experience in techno music, and previous collaborations with AtG at Banff Centre to this workshop phase. The cast includes soprano Miriam Khalil, countertenor David Trudgen, tenor Andrew Haji, and baritone Justin Welsh.  This workshop will be presented in Longboat Hall at The Great Hall (1087 Queen Street West) on November 19, 20 and 21, 2018. All performances begin at 8pm with doors open at 7:30pm. Tickets (starting at $35) on sale Thursday, September 27 at 10am fromagainstthegraintheatre.com. 

On December 11, 2018, at 12pm, AtG will once again be featured as part of the Free Concert Series in The Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts. “AtG Retro” will be a retrospective look back at some of AtG’s most acclaimed works from the past eight years.

After premiering at Banff Centre in 2017, Kopernikus “made for some supreme theatre” (The National Post) and was hailed by Opera Going Toronto as “utterly extraordinary.”  The opera’s Montréalais composer Claude Vivier(1948–1983) lived a hard and fast life; before he was found murdered in his hotel room in Paris at the age of 35, he had spent a career rejecting many traditional ideas of life, music and opera, which culminated in writing his only opera Kopernikus. “I think this could be Canada’s greatest opera ever written. Vivier was unique, he was an innovator and a true artist,” says stage director Joel Ivany. This production will uniquely immerse the orchestra into the choreography alongside singers and dancers. Matjash Mrozewskichoreographs, Leela Gilday acts as dramaturge, with Lighting and Set design by AtG Resident Designer Jason Hand. The cast features mezzo-soprano Danielle MacMillan making her AtG debut as Agni and welcomes acclaimed mezzo-soprano Krisztina Szabó, bass Alain Coulombe, baritone Dion Mazerolle and soprano Nathalie Paulin as part of the Ensemble. The production will be presented at Theatre Passe Muraille (16 Ryerson Avenue) on April 4, 5, 6, 11, 12 and 13, 2019 with all performances at 8pm and doors open at 7:30pm.

Back by popular demand, AtG’s standing room only #OperaPub series returns October 4 at the Amsterdam Bicycle Club (54 The Esplanade). Hosted and programmed by AtG Collective member David Eliakis, these free events will continue to feature opera arias and ensembles alongside witty banter and craft beers. Festivities begin at 9pm on the first Thursday of every month, and continue until May 2 2018.

AtG will be undertaking many new initiatives this coming year, highlighted below:

Following the success of the inaugural Summer Intensive this past August (a workshop for singers at various stages of development addressing their immediate needs and goals) a Winter Intensive will take place in February 2019 as AtG continues to address the importance of training emerging opera singers for the 21st century music industry.

The AtG Incubator is a pilot program where artists may submit project applications on a rolling basis. AtG will assess projects based on merit and viability and then work with the artist to provide resources in a workshop capacity.

This season also marks the formation of AtG Records, a modern classical music-recording label. AtG Records first album release will be Ayre: Live a live recording from November 2016 of their acclaimed stage production, which prompted The Globe and Mail to call AtG Founding Member and soprano Miriam Khalil “…a mesmerizing, gorgeous presence in the piece.” Miriam Khalil has since performed Ayre, which has become her signature piece, in three countries and six different cities to great acclaim.  Composer Osvaldo Golijov writes: “I cannot even begin to express the emotion I feel when she sings Ayre; it is as if she was born to sing it, or, even better, born for each other, she and Ayre.”  The release of this first album will be this coming Fall.

AtG is now entering its final year as a participant in the Canadian Opera Company Academy, a home for Canada’s new wave of opera creators and an incubator for the future of the art form. The Academy’s Company-in-Residence stream is designed for independent companies looking to establish administrative stability and expand creative capacity. As AtG continues to grow, support through the COC Academy program has been a valuable lifeline of mentorship, collaboration, and shared learning.

ABOUT AtG
Toronto’s Against the Grain Theatre (AtG) has invigorated opera audiences since its first sold-out production to an audience of fifty guests in December of 2010. AtG revitalizes the operatic art form by presenting an eclectic array of musical works in unconventional spaces and innovative ways. Since its first season, AtG has consistently performed to standing room-only crowds, to both critical and public acclaim, and continues to introduce hundreds of new opera-goers to the art form. Founded by an adventurous collective of friends and artists, the company endeavours to be serious in intent and execution, yet fun and irreverent in spirit. Current members include Joel IvanyTopher MokrzewskiJonathan MacArthurAmanda HadiDavid EliakisJason HandMiriam KhalilMichaela Dickey.

For more information, please visit AtG online at www.againstthegraintheatre.com, on Twitter, Snapchat and Instagram @AtGTheatre and on Facebook at www.facebook.com/AtGTheatre

– 30 –
Media Contact

Jonathan MacArthur
General Manager
Against the Grain Theatre
416-220-5376
gm@againstthegraintheatre.com

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Your tickets to Orphée⁺ 🔥 What You Need to Know

By | Bound | No Comments

Your visit to The Underworld

Doors open at 7:30pm. Orphée⁺ begins at 8pm, and is under 2 hours long (including one 20-minute intermission). Please allow yourself time to pass through the gates of Hell (it’s a bit of labyrinth).

Tickets

This email is not your ticket. Your physical tickets will be available for pickup at the Venue Box Office the night of the performance. (Unless you ordered “Direct Mail” delivery, in which case tickets were shipped to your home. Don’t have them Don’t worry! Box Office will help.)

Venue Box Office (Fleck Dance Theatre)
Located on the same level as the theatre (see more below)
Opens 6pm each night — we recommend picking up tickets up to 30 minutes before showtime

All tickets are seating-assigned, and your physical ticket will have your seat number & section printed on it. This venue is wheelchair accessible.

At-the-door Tickets

Have a friend who wants to attend the performance because they heard it was a damned delight? Tickets are available for purchase at the Venue Box Office (cash/credit welcome).

Getting here

Fleck Dance Theatre (Third Floor)
207 Queens Quay West, Toronto, ON, M5J 1A7
Enter front building marked “207 Queens Quay”

Detailed map of venue

By Car

The closest on-site parking is the “P2” (York Quay Underground) lot. Evening rates: $18–24. More info here.

Accessibility

Pull up and stop for a direct drop-off if desired. This venue is wheelchair accessible; let us know in advance if you are arriving in an assisted mobility device.

Elevator access to the Theatre Box Office and Theatre Entrance (both on the third floor) is available from the main floor, at the south end of the building, directly opposite the Brookfield common cafeteria seating.

By Bike

Bike lock stands are located at the corners of the building. (Try the North end of the building, near the Sobey’s storefront.)

By TTC

Take the 510 Spadina or 509 Harbourfront streetcar; stop is “Queens Quay West at Harbourfront”

What to expect

Aerial artistry, burlesque dancers and a virtual choir of 100 singers from around the world and…

Drinks!

In keeping with the AtG spirit, The Fleck Dance Theatre is fully equipped with two bars (tap-only credit card and cash) right in our performance space (upper and lower level). Skip the lines, and place your intermission drink orders as soon as you arrive at the theatre: enjoy some wine, beer, spirits, non-alcoholic bevs and snaaaaacks.

Pre-show chats!

We know you have questions, and we thought we’d put stage director and AtG Artistic Director/Founder Joel Ivany in the hot seat. Head to the upper level/dance studio of the venue at 7:45pm.

Pasties!

Tonight’s performance features dancers from NYC’s Company XIV, a unique blend of circus, Baroque dance, ballet, opera, live music and lavish design.

Where to eat

207 Queens Quay “Terminal Building” may not sound exciting, but it boasts a bunch of hidden gem eateries and patios facing the waterfront, like the Goodman Pub & Kitchen and Joe Bird.

(There’s also a pharmacy, grocery store and barber inside the building if you’re looking to run some errands before the show. Just don’t forget to pick up the thing.)

 

What to read

This show is great, but don’t just take our word for it.

It’s an electronic, baroque, burlesque trip into hell and Marcy Richardson has a bird’s-eye view | Toronto Star

Why soprano Marcy Richardson—who sings, acts and dances in the air, without a safety apparatus—is used to looking down to see “jaws drop wide open” during her performances.

Why Orphée+ Might Be The Most “Authentic” Opera You’ll See All Year | Ludwig van Toronto

“A list of 4 reasons why AtG’s approach to Orphée et Eurydice continues a lineage of adaptation seen over the past 200 years…”

Culture Countdown: Orphée⁺ | Toronto Life

“It’s the most adventurous musical event of the month.”

Newfangled production of French opera a surprising success | Opera Columbus

“The show is a smashing success — an ideal instance of the old being made marvellously, yet thoughtfully, new.”

Soprano Mireille Asselin steps into baroque era to find strong women of opera | The Globe & Mail

“This will likely be the first time Orphée is performed with burlesque dancers, aerialists and electronic music.”

Orphée⁺ “How do we grieve in 2018?” | Schmopera

“Against the Grain Theatre’s spring production is upon us, and it boasts all the innovation and surprises for which the award-winning company is known.”

Eagerly anticipating Against the Grain’s Orphée next week | barczablog

A reviewer shares his anticipation.

Read our house program

 

 

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Your tickets to BOUND 🍁 What You Need to Know

By | Bound | No Comments

Your visit to The State

Doors open at 7pm. BOUND begins at 8pm, and is approximately 1.5 hours (no intermission). Please allow yourself time to pass through border security.

Tickets

This email is not your ticket. Check your inbox for your electronic tickets from TicketLeap, which you can print or display to us on your phone/tablet for entry.

(In the TicketLeap email, click the link “Download the barcode ticket”.)

If you can’t find your tickets, we can scan you in by first & last name. Bring a government-issued ID.

All tickets are general admission and seating is available on a first-come, first-seated basis. If you have a ticket, you are guaranteed a seat. This venue is wheelchair accessible.

At-the-door Tickets

Have a friend who wants to attend the performance? Are they a legitimate traveller to The State or citizen? Rush Tickets (seated or standing room) are available at the door. Line up for these as early as 7pm. $35 cash only.

Getting here

COC’s Hal Jackman Studio
227 Front St E, Toronto, ON, M5A 1E8
Entrance “Imperial Oil Theatre” near Berkeley St

By Car

There is no on-site parking, but there is limited street parking in front of the building. The closest GREEN P lot is on Berkeley Street.

Accessibility

Pull up and stop for a direct drop-off if desired. This venue is wheelchair accessible; let us know in advance if you are arriving in an assisted mobility device.

By Bike

Bike locks available at the corner of Front and Berkeley streets.

By TTC

Take the King streetcar, or Sherbourne bus, and then a short walk down to Front Street.

What to expect: Border Security

Together, we can help keep our community safe.

Targeting

The Targeting Program identifies people and goods bound for The State that may pose a threat to the security and safety of The State.

Immersive pre-screening experience

Please bring a pen. The Advance Passenger Information Form (Q4 questionnaire) is used to identify high-risk travellers who may need further screening when they arrive in The State.

Liquids

Liquids are permitted in The State; wine and beer may be purchased ($5, cash only) at one of the government-sanctioned dispensaries located in our Border Security Checkpoint and Waiting Rooms.

What to read: Propaganda

Not fake-news.

Opera plucked from today’s public-safety issues | Toronto Star

“Each person has done something to threaten Peace, Order and Good Government. In a series of spoken dialogues and sung arias, we discover who they are and what the charges are.”

Why AtG’s New Mash-up Opera Will Surpass All Your Expectations | Ludwig van Toronto

“I for one am very excited to see where this show might lead and what other “protests” it might inspire.”

“A Shocking, Immediate Connection” | Schmopera

“‘All the characters who are involved are fighting for a right of some kind,’ says Mokrzewski. ‘They’re fighting for rights that have been taken away.'”

Read our house program

 

 

martha burns

Just announced: Screen and stage legend Martha Burns joins BOUND cast

By | Behind the scenes, Bound, Canadian Opera Company, Media Release, Upcoming | No Comments

Gemini, Genie and Dora Award—winning actor Martha Burns joins the cast of BOUND (Dec 14–16, 2017). In this groundbreaking, dystopian production featuring reconstructed music by Handel, she plays the role of The State.

Martha Burns has performed leading roles at the Stratford and Shaw Festivals and at theatres across the country. A founding member of Soulpepper Theatre, she developed their youth mentorship and Soulpepper in School programs. She is a double Gemini winner (Best Actress in a Leading Role, Slings and Arrows), the recipient of two Best Supporting Actress Genie Awards (Long Day’s Journey Into Night and Love and Savagery), two Dora Mavor Moore Awards (Trafford Tanzi and The Miracle Worker), and the winner of the 2005 Barbara Hamilton Award for Excellence and Professionalism in the Performing Arts. With actor/writer Susan Coyne, Burns wrote and directed the TIFF’08 short, How Are You?, and produced and directed the documentary Robin, Mark and Richard III. She has served on the boards of Canadian Stage, the Shaw Festival, Peggy Baker Dance Projects and the Toronto Council for the Arts, and most recently worked with performers from Nunavut’s Qaggiavuut society to create the play Kiviuq Returns. She currently teaches acting at the National Theatre School.

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A mash-up of Handel’s music with a new transladaptation

By | Behind the scenes, Bound, Joel Ivany, Media Release, Press | No Comments

FOR IMMEDIATE RELEASE: 31 October, 2017

BOUND uses baroque music to highlight stories of citizen displacement, fear, hope and reconciliation

TORONTO — This December, Against the Grain Theatre’s Artistic Director Joel Ivany matches one of opera’s most dramatic composers to a narrative inspired by the current, chilling refugee stories populating our newsfeeds: stories of migration and displacement due to war, discrimination, hate, and intolerance. The result is a newly created AtG “transladaptation” for the 21st century, BOUND, which will break down Handel arias and ensembles in form and text, and reconstruct them to highlight the current state of those displaced, dehumanized and mistreated across the globe.

“Handel was one of opera’s most dramatic composers,” says director Joel Ivany of the source inspiration for BOUND. “His music constantly explored stories of abandonment, neglect and betrayal. We aim to look at contemporary world events through his musical lens.”

To bring Handel’s music into the present, Ivany and AtG Founding Member and Music Director Topher Mokrzewski collaborate with recent Victor Martyn Lynch-Staunton Award winner, composer Kevin Lau, who will introduce new sound ideas and compositional devices. BOUND will be developed at the Canadian Opera Company’s Jackman Studio over multiple weeks of workshop sessions with finished presentations, featuring the piano accompaniment of Mokrzewski, that will showcase the intensive weeks of development. This is the first iteration of a three-year concept-to-realization production: each year, the workshop will focus on different aspects of operatic creation, from sets and costume design, to orchestral transcription. Over the next few seasons, BOUND will continue to develop, grow and return in new forms.

“We’re looking at how we as artists can express ourselves in a political capacity using our strengths, and our voice,” Ivany continued. “At a time where the world seems to be spinning away from hope and unity, BOUND will look to moments of beauty, acceptance and diversity. These are themes that are important now more than ever to iterate, proclaim and stand by.”

The premise: Seven citizens are detained by a government and held against their will in a waiting room; the audience will watch and hear about their struggles, hopes and fears. Drawing from the experiences of artists, and individuals the world over, BOUND will be a Handel mash-up for the ages.

The cast of BOUND features a roster of Canadian talent, including COC Ensemble member and soprano Danika Lorèn, recent DORA Award-winner and tenor Asitha Tennekoon, counter-tenor David Trudgen, baritoneJustin Welsh, bass Michael Uloth, mezzo-soprano Victoria Marshall and AtG Founding Member and soprano Miriam Khalil. This workshop will be lit by Resident Lighting Designer Jason Hand and presented in the COC’s Jackman Studio (227 Front Street East, Toronto) at 8 p.m. on December 14, 15, and at 6 p.m. and 9 p.m. on December 16, 2017. With one night sold out, limited tickets ($35) are still available for the remaining three presentations: againstthegraintheatre.ticketleap.com/bound/

A special preview of BOUND will be offered on December 13, 2017 at 12 p.m. as part of the Free Concert Series in the Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts. Details about the series may be found at coc.ca.

LISTING INFORMATION
Against the Grain Theatre’s BOUND
December 14, 15 at 8 p.m.
December 16 at 6 p.m. and 9 p.m.
Doors open 30 minutes before curtain
COC’s Jackman Studio (227 Front Street East, Toronto)
Tickets: $35
More info: againstthegraintheatre.com/bound

ABOUT AtG
Toronto’s Against the Grain Theatre (AtG) has invigorated opera audiences since its first sold-out production to an audience of fifty guests in December of 2010. AtG revitalizes the operatic art form by presenting an eclectic array of musical works in unconventional spaces and innovative ways. Since its first season, AtG has consistently performed to standing room-only crowds, to both critical and public acclaim, and continues to introduce hundreds of new opera-goers to the art form. Founded by an adventurous collective of friends and artists, the company endeavours to be serious in intent and execution, yet fun and irreverent in spirit. Current members include Joel IvanyTopher MokrzewskiJonathan MacArthurAmanda Hadi,David EliakisJason HandMiriam Khalil, and Michaela Dickey.

For more information, please visit AtG online atwww.againstthegraintheatre.com, on Twitter, Snapchat and Instagram@AtGTheatre and on Facebook at www.facebook.com/AtGTheatre

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Media contact:
Jonathan MacArthur
General Manager
Against the Grain Theatre
416-220-5376
media@againstthegraintheatre.com or gm@againstthegraintheatre.com

 

Design: Eitan Zohar | Illustration: Dmitry Bondarenko

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Against the Grain Theatre #GoForBaroque in 2017/2018 season

By | Bound, Canadian Opera Company, Joel Ivany, Kyrie Kristmanson, Media Release, Opera Pub, Orphee, Upcoming | No Comments

FOR IMMEDIATE RELEASE: 26 September, 2017

A Handel mash-up and an international co-production comprise AtG’s most expansive season to date

TORONTO – Against the Grain Theatre (AtG) returns in its eighth season with BOUND, a pastiche workshop of new interpretations of Handel’s music, and a groundbreaking new production of Berlioz’s arrangement of Gluck’s Orphée. AtG’s acclaimed #OperaPub nights return as a monthly fixture at the Amsterdam Bicycle Club, and the company collaborates with Canadian baroque-pop artist Kyrie Kristmanson at the Alliance Française in Toronto. In addition, AtG enters its second season as company-in-residence at the Canadian Opera Company (COC).

This December, Artistic Director Joel Ivany and Music Director Topher Mokrzewski collaborate with composer Kevin Lau, the recent Victor Martyn Lynch-Staunton Award winner, to bring Handel’s music into the present through a workshop titled BOUND. In the wake of the world’s refugee crisis, this workshop will explore the current state of those displaced, dehumanized and mistreated, with texts and stories drawn from real-life news articles and events. BOUND is the first workshop of a three-year concept-to-realization production. “Handel is one of opera’s most dramatic composers,” says director Joel Ivany of the source inspiration for BOUND. “His music constantly explored stories of abandonment, neglect and betrayal. We aim to look at contemporary world events through his musical lens.” Featuring a cast of young Canadian talent, BOUND will feature soprano Danika Lorèn, tenor Asitha Tennekoon, counter-tenor David Trudgen, baritone Justin Welsh, bass Michael Uloth, mezzo-soprano Victoria Marshall and AtG Founding Member and soprano Miriam Khalil. This workshop will be lit by AtG Resident Lighting Designer Jason Hand and presented in the COC’s Jackman Studio (227 Front Street East, Toronto) on December 14, 15, and 16, 2017. Tickets go on sale Thursday, October 5 at 12 p.m. at againstthegraintheatre.com.

A special preview of BOUND will be offered on December 13, 2017 at 12 p.m. as part of the Free Concert Series in the Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts. Details about the series may be found at www.coc.ca.

In Spring 2018, AtG partners with Opera Columbus to introduce a new, fully realized version of Berlioz/Gluck’s Orphée⁺. A brainchild of AtG Founder and Artistic Director Joel Ivany, Orphée⁺ casts dancers from New York City’s Company XIV, an opulent and intimate baroque burlesque dance company, with choreography by Austin McCormick, Director and Choreographer of Company XIV, and multi-faceted aerialist, pole dancer and soprano Marcy Richardson in the role of Amour. Sung in French, Orphée⁺ blends Berlioz/Glück’s music with new electro-acoustic soundscapes designed by John Gzowski; incorporates a virtual chorus — made up of hundreds of singers — in a digital projection created by set and projection designer Katy Tucker; costume design by Company XIV‘s Zane Pihlstrom; and features lighting by JAX Messenger. Joel Ivany serves as Stage Director and Topher Mokrzewski conducts an 11-piece orchestra, which blends classical and electronic string instruments. Orphée⁺ opens first in Columbus before coming to Toronto’s Fleck Dance Dance Theatre in April 2018. Full cast details and ticket information will be announced later this season.

Back by popular demand, AtG’s standing-room-only #OperaPub nights return October 5 at the Amsterdam Bicycle Club (54 The Esplanade, Toronto). Hosted by new AtG Collective member David Eliakis, these free events will continue to feature opera arias and ensembles alongside witty banter, craft beers and an ever-faithful Craigslist piano. Beginning at 9 p.m., the festivities will continue the first Thursday of every month until May 2018.

Also new this season, AtG collaborates with Canadian baroque-pop artist Kyrie Kristmanson for the Canadian release of her album Modern Ruin, a repertoire for voice and string quartet inspired by the lost songs of the women troubadours of medieval France. Led by stage director Amanda Smith, an AtG ensemble including percussionist Nathan Pettipas, dancer Mary-Dora Bloch, and baritone Adam Harris perform original arrangements for marimba and voice, inspired by French song. This event takes place on October 13 at 8 p.m. at the Théâtre de l’Alliance Française (24 Spadina Road).

In its second year as company-in-residence at the Canadian Opera Company (COC), AtG continues its work in the COC’s pilot program designed for independent companies looking to gain administrative expertise within their organization. “The training and mentorship opportunities are incredible,” praises AtG General Manager Jonathan MacArthur. “As an emerging administrator, receiving mentorship from the COC’s many different departments is an invaluable, one-of-a-kind experience that fosters individual leadership skills and applicable management practices required to grow a sustainable arts organization.”

ABOUT AtG
Toronto’s Against the Grain Theatre (AtG) has invigorated opera audiences since its first sold-out production to an audience of fifty guests in December of 2010. AtG revitalizes the operatic art form by presenting an eclectic array of musical works in unconventional spaces and innovative ways. Since its first season, AtG has consistently performed to standing room-only crowds, to both critical and public acclaim, and continues to introduce hundreds of new opera-goers to the art form. Founded by an adventurous collective of friends and artists, the company endeavours to be serious in intent and execution, yet fun and irreverent in spirit. Current members include Joel Ivany, Topher Mokrzewski, Jonathan MacArthur, Amanda Hadi, David Eliakis, Jason Hand, Miriam Khalil, and Michaela Dickey.

For more information, please visit AtG online at www.againstthegraintheatre.com, on Twitter, Snapchat and Instagram @AtGTheatre and on Facebook at www.facebook.com/AtGTheatre

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Media contact:
Jonathan MacArthur
General Manager
Against the Grain Theatre
416-220-5376
media@againstthegraintheatre.com or gm@againstthegraintheatre.com