Category Archives: Bound

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Your tickets to BOUND 🍁 What You Need to Know

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Your visit to The State

Doors open at 7pm. BOUND begins at 8pm, and is approximately 1.5 hours (no intermission). Please allow yourself time to pass through border security.

Tickets

This email is not your ticket. Check your inbox for your electronic tickets from TicketLeap, which you can print or display to us on your phone/tablet for entry.

(In the TicketLeap email, click the link “Download the barcode ticket”.)

If you can’t find your tickets, we can scan you in by first & last name. Bring a government-issued ID.

All tickets are general admission and seating is available on a first-come, first-seated basis. If you have a ticket, you are guaranteed a seat. This venue is wheelchair accessible.

At-the-door Tickets

Have a friend who wants to attend the performance? Are they a legitimate traveller to The State or citizen? Rush Tickets (seated or standing room) are available at the door. Line up for these as early as 7pm. $35 cash only.

Getting here

COC’s Hal Jackman Studio
227 Front St E, Toronto, ON, M5A 1E8
Entrance “Imperial Oil Theatre” near Berkeley St

By Car

There is no on-site parking, but there is limited street parking in front of the building. The closest GREEN P lot is on Berkeley Street.

Accessibility

Pull up and stop for a direct drop-off if desired. This venue is wheelchair accessible; let us know in advance if you are arriving in an assisted mobility device.

By Bike

Bike locks available at the corner of Front and Berkeley streets.

By TTC

Take the King streetcar, or Sherbourne bus, and then a short walk down to Front Street.

What to expect: Border Security

Together, we can help keep our community safe.

Targeting

The Targeting Program identifies people and goods bound for The State that may pose a threat to the security and safety of The State.

Immersive pre-screening experience

Please bring a pen. The Advance Passenger Information Form (Q4 questionnaire) is used to identify high-risk travellers who may need further screening when they arrive in The State.

Liquids

Liquids are permitted in The State; wine and beer may be purchased ($5, cash only) at one of the government-sanctioned dispensaries located in our Border Security Checkpoint and Waiting Rooms.

What to read: Propaganda

Not fake-news.

Opera plucked from today’s public-safety issues | Toronto Star

“Each person has done something to threaten Peace, Order and Good Government. In a series of spoken dialogues and sung arias, we discover who they are and what the charges are.”

Why AtG’s New Mash-up Opera Will Surpass All Your Expectations | Ludwig van Toronto

“I for one am very excited to see where this show might lead and what other “protests” it might inspire.”

“A Shocking, Immediate Connection” | Schmopera

“‘All the characters who are involved are fighting for a right of some kind,’ says Mokrzewski. ‘They’re fighting for rights that have been taken away.'”

Read our house program

 

 

martha burns

Just announced: Screen and stage legend Martha Burns joins BOUND cast

By | Behind the scenes, Bound, Canadian Opera Company, Media Release, Upcoming | No Comments

Gemini, Genie and Dora Award—winning actor Martha Burns joins the cast of BOUND (Dec 14–16, 2017). In this groundbreaking, dystopian production featuring reconstructed music by Handel, she plays the role of The State.

Martha Burns has performed leading roles at the Stratford and Shaw Festivals and at theatres across the country. A founding member of Soulpepper Theatre, she developed their youth mentorship and Soulpepper in School programs. She is a double Gemini winner (Best Actress in a Leading Role, Slings and Arrows), the recipient of two Best Supporting Actress Genie Awards (Long Day’s Journey Into Night and Love and Savagery), two Dora Mavor Moore Awards (Trafford Tanzi and The Miracle Worker), and the winner of the 2005 Barbara Hamilton Award for Excellence and Professionalism in the Performing Arts. With actor/writer Susan Coyne, Burns wrote and directed the TIFF’08 short, How Are You?, and produced and directed the documentary Robin, Mark and Richard III. She has served on the boards of Canadian Stage, the Shaw Festival, Peggy Baker Dance Projects and the Toronto Council for the Arts, and most recently worked with performers from Nunavut’s Qaggiavuut society to create the play Kiviuq Returns. She currently teaches acting at the National Theatre School.

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A mash-up of Handel’s music with a new transladaptation

By | Behind the scenes, Bound, Joel Ivany, Media Release, Press | No Comments

FOR IMMEDIATE RELEASE: 31 October, 2017

BOUND uses baroque music to highlight stories of citizen displacement, fear, hope and reconciliation

TORONTO — This December, Against the Grain Theatre’s Artistic Director Joel Ivany matches one of opera’s most dramatic composers to a narrative inspired by the current, chilling refugee stories populating our newsfeeds: stories of migration and displacement due to war, discrimination, hate, and intolerance. The result is a newly created AtG “transladaptation” for the 21st century, BOUND, which will break down Handel arias and ensembles in form and text, and reconstruct them to highlight the current state of those displaced, dehumanized and mistreated across the globe.

“Handel was one of opera’s most dramatic composers,” says director Joel Ivany of the source inspiration for BOUND. “His music constantly explored stories of abandonment, neglect and betrayal. We aim to look at contemporary world events through his musical lens.”

To bring Handel’s music into the present, Ivany and AtG Founding Member and Music Director Topher Mokrzewski collaborate with recent Victor Martyn Lynch-Staunton Award winner, composer Kevin Lau, who will introduce new sound ideas and compositional devices. BOUND will be developed at the Canadian Opera Company’s Jackman Studio over multiple weeks of workshop sessions with finished presentations, featuring the piano accompaniment of Mokrzewski, that will showcase the intensive weeks of development. This is the first iteration of a three-year concept-to-realization production: each year, the workshop will focus on different aspects of operatic creation, from sets and costume design, to orchestral transcription. Over the next few seasons, BOUND will continue to develop, grow and return in new forms.

“We’re looking at how we as artists can express ourselves in a political capacity using our strengths, and our voice,” Ivany continued. “At a time where the world seems to be spinning away from hope and unity, BOUND will look to moments of beauty, acceptance and diversity. These are themes that are important now more than ever to iterate, proclaim and stand by.”

The premise: Seven citizens are detained by a government and held against their will in a waiting room; the audience will watch and hear about their struggles, hopes and fears. Drawing from the experiences of artists, and individuals the world over, BOUND will be a Handel mash-up for the ages.

The cast of BOUND features a roster of Canadian talent, including COC Ensemble member and soprano Danika Lorèn, recent DORA Award-winner and tenor Asitha Tennekoon, counter-tenor David Trudgen, baritoneJustin Welsh, bass Michael Uloth, mezzo-soprano Victoria Marshall and AtG Founding Member and soprano Miriam Khalil. This workshop will be lit by Resident Lighting Designer Jason Hand and presented in the COC’s Jackman Studio (227 Front Street East, Toronto) at 8 p.m. on December 14, 15, and at 6 p.m. and 9 p.m. on December 16, 2017. With one night sold out, limited tickets ($35) are still available for the remaining three presentations: againstthegraintheatre.ticketleap.com/bound/

A special preview of BOUND will be offered on December 13, 2017 at 12 p.m. as part of the Free Concert Series in the Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts. Details about the series may be found at coc.ca.

LISTING INFORMATION
Against the Grain Theatre’s BOUND
December 14, 15 at 8 p.m.
December 16 at 6 p.m. and 9 p.m.
Doors open 30 minutes before curtain
COC’s Jackman Studio (227 Front Street East, Toronto)
Tickets: $35
More info: againstthegraintheatre.com/bound

ABOUT AtG
Toronto’s Against the Grain Theatre (AtG) has invigorated opera audiences since its first sold-out production to an audience of fifty guests in December of 2010. AtG revitalizes the operatic art form by presenting an eclectic array of musical works in unconventional spaces and innovative ways. Since its first season, AtG has consistently performed to standing room-only crowds, to both critical and public acclaim, and continues to introduce hundreds of new opera-goers to the art form. Founded by an adventurous collective of friends and artists, the company endeavours to be serious in intent and execution, yet fun and irreverent in spirit. Current members include Joel IvanyTopher MokrzewskiJonathan MacArthurAmanda Hadi,David EliakisJason HandMiriam Khalil, and Michaela Dickey.

For more information, please visit AtG online atwww.againstthegraintheatre.com, on Twitter, Snapchat and Instagram@AtGTheatre and on Facebook at www.facebook.com/AtGTheatre

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Media contact:
Jonathan MacArthur
General Manager
Against the Grain Theatre
416-220-5376
media@againstthegraintheatre.com or gm@againstthegraintheatre.com

 

Design: Eitan Zohar | Illustration: Dmitry Bondarenko

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Against the Grain Theatre #GoForBaroque in 2017/2018 season

By | Bound, Canadian Opera Company, Joel Ivany, Kyrie Kristmanson, Media Release, Opera Pub, Orphee, Upcoming | No Comments

FOR IMMEDIATE RELEASE: 26 September, 2017

A Handel mash-up and an international co-production comprise AtG’s most expansive season to date

TORONTO – Against the Grain Theatre (AtG) returns in its eighth season with BOUND, a pastiche workshop of new interpretations of Handel’s music, and a groundbreaking new production of Berlioz’s arrangement of Gluck’s Orphée. AtG’s acclaimed #OperaPub nights return as a monthly fixture at the Amsterdam Bicycle Club, and the company collaborates with Canadian baroque-pop artist Kyrie Kristmanson at the Alliance Française in Toronto. In addition, AtG enters its second season as company-in-residence at the Canadian Opera Company (COC).

This December, Artistic Director Joel Ivany and Music Director Topher Mokrzewski collaborate with composer Kevin Lau, the recent Victor Martyn Lynch-Staunton Award winner, to bring Handel’s music into the present through a workshop titled BOUND. In the wake of the world’s refugee crisis, this workshop will explore the current state of those displaced, dehumanized and mistreated, with texts and stories drawn from real-life news articles and events. BOUND is the first workshop of a three-year concept-to-realization production. “Handel is one of opera’s most dramatic composers,” says director Joel Ivany of the source inspiration for BOUND. “His music constantly explored stories of abandonment, neglect and betrayal. We aim to look at contemporary world events through his musical lens.” Featuring a cast of young Canadian talent, BOUND will feature soprano Danika Lorèn, tenor Asitha Tennekoon, counter-tenor David Trudgen, baritone Justin Welsh, bass Michael Uloth, mezzo-soprano Victoria Marshall and AtG Founding Member and soprano Miriam Khalil. This workshop will be lit by AtG Resident Lighting Designer Jason Hand and presented in the COC’s Jackman Studio (227 Front Street East, Toronto) on December 14, 15, and 16, 2017. Tickets go on sale Thursday, October 5 at 12 p.m. at againstthegraintheatre.com.

A special preview of BOUND will be offered on December 13, 2017 at 12 p.m. as part of the Free Concert Series in the Richard Bradshaw Amphitheatre at the Four Seasons Centre for the Performing Arts. Details about the series may be found at www.coc.ca.

In Spring 2018, AtG partners with Opera Columbus to introduce a new, fully realized version of Berlioz/Gluck’s Orphée⁺. A brainchild of AtG Founder and Artistic Director Joel Ivany, Orphée⁺ casts dancers from New York City’s Company XIV, an opulent and intimate baroque burlesque dance company, with choreography by Austin McCormick, Director and Choreographer of Company XIV, and multi-faceted aerialist, pole dancer and soprano Marcy Richardson in the role of Amour. Sung in French, Orphée⁺ blends Berlioz/Glück’s music with new electro-acoustic soundscapes designed by John Gzowski; incorporates a virtual chorus — made up of hundreds of singers — in a digital projection created by set and projection designer Katy Tucker; costume design by Company XIV‘s Zane Pihlstrom; and features lighting by JAX Messenger. Joel Ivany serves as Stage Director and Topher Mokrzewski conducts an 11-piece orchestra, which blends classical and electronic string instruments. Orphée⁺ opens first in Columbus before coming to Toronto’s Fleck Dance Dance Theatre in April 2018. Full cast details and ticket information will be announced later this season.

Back by popular demand, AtG’s standing-room-only #OperaPub nights return October 5 at the Amsterdam Bicycle Club (54 The Esplanade, Toronto). Hosted by new AtG Collective member David Eliakis, these free events will continue to feature opera arias and ensembles alongside witty banter, craft beers and an ever-faithful Craigslist piano. Beginning at 9 p.m., the festivities will continue the first Thursday of every month until May 2018.

Also new this season, AtG collaborates with Canadian baroque-pop artist Kyrie Kristmanson for the Canadian release of her album Modern Ruin, a repertoire for voice and string quartet inspired by the lost songs of the women troubadours of medieval France. Led by stage director Amanda Smith, an AtG ensemble including percussionist Nathan Pettipas, dancer Mary-Dora Bloch, and baritone Adam Harris perform original arrangements for marimba and voice, inspired by French song. This event takes place on October 13 at 8 p.m. at the Théâtre de l’Alliance Française (24 Spadina Road).

In its second year as company-in-residence at the Canadian Opera Company (COC), AtG continues its work in the COC’s pilot program designed for independent companies looking to gain administrative expertise within their organization. “The training and mentorship opportunities are incredible,” praises AtG General Manager Jonathan MacArthur. “As an emerging administrator, receiving mentorship from the COC’s many different departments is an invaluable, one-of-a-kind experience that fosters individual leadership skills and applicable management practices required to grow a sustainable arts organization.”

ABOUT AtG
Toronto’s Against the Grain Theatre (AtG) has invigorated opera audiences since its first sold-out production to an audience of fifty guests in December of 2010. AtG revitalizes the operatic art form by presenting an eclectic array of musical works in unconventional spaces and innovative ways. Since its first season, AtG has consistently performed to standing room-only crowds, to both critical and public acclaim, and continues to introduce hundreds of new opera-goers to the art form. Founded by an adventurous collective of friends and artists, the company endeavours to be serious in intent and execution, yet fun and irreverent in spirit. Current members include Joel Ivany, Topher Mokrzewski, Jonathan MacArthur, Amanda Hadi, David Eliakis, Jason Hand, Miriam Khalil, and Michaela Dickey.

For more information, please visit AtG online at www.againstthegraintheatre.com, on Twitter, Snapchat and Instagram @AtGTheatre and on Facebook at www.facebook.com/AtGTheatre

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Media contact:
Jonathan MacArthur
General Manager
Against the Grain Theatre
416-220-5376
media@againstthegraintheatre.com or gm@againstthegraintheatre.com