On sale Feb 1 at 10am
Running May 19–June 2
AtG’s La Bohème: Where an artist, a musician, a writer, a philosophy student and a not-so-happy landlord might cross paths in 2017 Toronto.
Everything about Puccini’s hyper-popular 1896 opera is relatable today: low-income artists and freelancers still haunt cafes, landlords will still “forget” to turn on the heat, and rent is still too damn high.
Pull a group of twentysomethings off the street on Bloor West — and that’s the cast of La Bohème.
In 2011, instead of trying to “bring new audiences to the opera house,” (and because we lacked an opera house entirely) we created a production that brought the opera to them—to the places our friends might hang out after work for a very, very cheap beer.
Our adaptation still kept Puccini’s characters and music, but we retold it for a contemporary audience, in English. And the story actually took place where folks were watching at the Tranzac Club: In Act I, Rodolfo and Marcello were sitting at shared tables with the audience. In Act II, the bar at the end of the room became the Café Momus.
This production, created on a shoestring budget by a handful of founding members, started our company. And it also began the tradition of convincing Music Director Topher Mokrzewski to become a one-man orchestra using an upright piano. (We think he’s OK with it now.)
So if you’re hungry for an updated #AtGBoheme with an entirely new cast, and want to see why Toronto is becoming one of the freshest destinations for opera, save the date:
At 10am on February 1, we start selling tickets to our 100-seat venue at the Tranzac Club.
We’ll see you at the bar.