FOR IMMEDIATE RELEASE: 23 February, 2018
Against the Grain Theatre presents an electronic, baroque burlesque descent into hell
Against the Grain Theatre’s fervour for pushing the boundaries of opera and art continues this spring with a reinvention of Berlioz’s arrangement of Gluck’s baroque masterpiece Orphée et Eurydice. In an international co-production between AtG, the Banff Centre for Arts and Creativity, and Opera Columbus, the three companies are banding together to thrust a score written in 1762 into the 21st century. To complement the story in an unusual, beautiful way, Orphée⁺ will boldly blend an orchestra that mixes acoustic and electric instruments, feature baroque-burlesque dancers, and include a global virtual chorus.
While remaining true to the score, AtG presents the question, “How could Berlioz have updated Gluck’s opera if he had the tools of 2018?” In 1859, Berlioz revised both Gluck’s Italian and French versions combining them into a new arrangement. He stitched together a work that has since become standard repertoire of opera houses worldwide. This new co-production aims to go further by incorporating an international cast of 100 virtual chorus members as the narrative voices Orphée⁺, and introducing a new orchestral arrangement that creates an atmospheric, electronic soundscape while maintaining the integrity of the original music.
“There is no battle between the baroque here,” director Joel Ivany says on the music for Orphée⁺. “Instead of changing the music, we’re using the score as the backbone for a new soundscape to complement our current environment. The intent is to discover something new and thrust a timeless story into a contemporary setting.”
Peggy Kriha Dye, Artistic Director of Opera Columbus says, “We are looking to innovate and transform the way that this spectacular opera — which was cutting-edge when it first premiered — is presented and experienced.”
In Orphée⁺, the hero is portrayed as a modern man who is grieving the death of his greatest love, Eurydice. We witness his traumatic journey, which takes him through the depths of sorrow to hell and back again in an attempt to bring back his lost love. His mourning is expressed traditionally through music, word, movement, and now technology.
The cast features Korean countertenor Siman Chung in the title role,Canadian soprano Mireille Asselin as his love Eurydice and American aerialist and soprano Marcy Richardson who will portray Amour, the inner conscience of our hero. A cast of dancers from NYC’s acclaimedCompany XIV (known for their annual burlesque Nutcracker Rouge) act as witnesses along Orphée’s journey.
Stage direction is by AtG Founder and Artistic Director Joel Ivany, theset and projection design by is by S. Katy Tucker, and will be lit by JAX Messenger. Orphée⁺ is choreographed by Austin McCormick, Director and Choreographer of Company XIV in New York City, with costume design by Zane Pihlström. Featuring sound design by John Gzowskiand a reduced orchestra of eleven players which include electric guitarand synthesizer. This work is conducted by AtG’s Music Director and Founding Member, Topher Mokrzewski, and features members of the new AtG Ensemble: Brenna Hardy-Kavanagh, violin/viola and Brad Cherwin, clarinet.
Orphée⁺ is sung in French with English surtitles. Three performances take place at Fleck Dance Theatre, 207 Queens Quay West, third floor, onApril 26, 27, and 28 at 8 p.m. Tickets range from $40 – $110 and are available beginning Thursday, March 1 at 10 a.m. fromagainstthegraintheatre.com, harbourfrontcentre.com and the Harbourfront Box Office.
Against the Grain Theatre’s Orphée⁺
April 26, 27, and 28, 2018
Fleck Dance Theatre, 207 Queens Quay West, Third Floor
Tickets: $40 – $110
More info: www.againstthegraintheatre.com
Toronto’s Against the Grain Theatre (AtG) has invigorated opera audiences since its first sold-out production to an audience of fifty guests in December of 2010. AtG revitalizes the operatic art form by presenting an eclectic array of musical works in unconventional spaces and innovative ways. Since its first season, AtG has consistently performed to standing room-only crowds, to both critical and public acclaim, and continues to introduce hundreds of new opera-goers to the art form. Founded by an adventurous collective of friends and artists, the company endeavours to be serious in intent and execution, yet fun and irreverent in spirit. Current members include Joel Ivany, Topher Mokrzewski, Jonathan MacArthur, Amanda Hadi,David Eliakis, Jason Hand, Miriam Khalil, Michaela Dickey, Brenna Hardy-Kavanagh, and Brad Cherwin.
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Photo: Marcy Richardson (Company XIV), by Corey Weaver